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Marsh warbler

Acrocephalus palustris | Bosrietzanger | Carricero políglota

An unremarkable brown warbler with an exceptional talent: it builds its song out of the voices of dozens of other birds, European and African alike, and pours them out in an unbroken musical stream. Walk past a nettle bed in June that is full of imitated bird calls and you are listening to a Marsh Warbler.

Marsh warbler (Acrocephalus palustris)
Photo: Иван Везенковић — CC BY-SA 4.0 · Wikimedia Commons

Voice

The song is a long, continuously rolling stream, more musical than that of any other Acrocephalus: clear whistles, quick rolls and a characteristic nasal tchek-tchek-tchek motif, shot through with perfect imitations of Swallow, Starling, wagtail, House Sparrow, Linnet, Whitethroat and of African species picked up in the winter quarters. An average male imitates some seventy species and switches so fast that the pattern only emerges after a few minutes' listening. It sings from late May to mid July, mostly in the evening, at night and at first light, usually half hidden in vegetation. Call: a short hard tchek and a rattling tcherr.

Listen: Song with mimicryXC562719

Recording: Robert Petersen — CC BY-SA 4.0 · Wikimedia Commons

Identification

Plain olive-brown above without any streaking, with a cool, faintly olive cast and a dull rump that barely contrasts with the mantle. The head is round with a steep forehead and a gentle expression, with a short, diffuse pale supercilium that does not extend far behind the eye, and a pale eye-ring. Underparts creamy white with a yellow wash on breast and flanks. Two features settle it: the primary projection is long, about as long as the exposed secondaries, with seven or eight crisply spaced primary tips, and the legs are pale — flesh, yellowish-brown or greyish pink, right out to the toes. The bill is short and broad-based.

Confusion species

Reed Warbler is the species that matters, and the comparison is the whole story. Song decides it fastest: Reed Warbler slow, low and scratchy with endlessly repeated motifs, Marsh Warbler fast, high, musical and packed with mimicry. Beyond that: primary projection long versus short, legs pale flesh versus grey-brown to lead, rump dull olive-brown versus warm rusty, forehead steep versus flat and sloping, and Marsh Warbler in rank herbage and scrub on dry land while Reed Warbler sits in reed standing in water. The scarce Blyth's Reed Warbler is darker and shorter-winged, with a more obvious supercilium in front of the eye and darker legs. Icterine Warbler is bigger and yellower, with an orange lower mandible and a much heavier head.

Habitat

Not reed standing in water, but damp rank vegetation on dry ground: stands of nettle, meadowsweet and cow parsley along ditches and streams, willow scrub, young regrowth, lucerne and oilseed rape, railway embankments, rough field margins and road verges. A single bush or sapling as a song post is often enough. It returns later than any other warbler, because it needs tall herbaceous cover that is not there until mid May.

Range and movements

Breeds from France and the Netherlands east into Russia, with its core in central and eastern Europe. The Netherlands lies at the western edge of the range yet still holds tens of thousands of pairs, in polder herbage, along canals and in the river country. It is an extreme long-distance migrant: it arrives only in mid May, leaves again in August and travels via the eastern Mediterranean and the Horn of Africa to south-eastern Africa. In Spain it is therefore very scarce, almost only on passage in the north, with a handful of breeding sites in the Pyrenees.

  • Breeding (summer)
  • Passage
  • Migration direction
  • dark = core range, pale = thinly spread
Density map from the occurrence records of GBIF (2024-08-01 – 2026-07-31), counted per 0.7° grid cell and per month and divided by all bird records in that same cell — so the number of birdwatchers does not shape the picture. Colour depth follows that share and fades out gradually, so the map does not follow national borders. Country outlines: Natural Earth (public domain).

Where and when to look

The first two weeks of June, between midnight and sunrise or in the last hour before dark, along a ditch with nettles and willow scrub. Stand still and let the song run for ten minutes: only then do the imitations separate out one by one. To see the bird, wait until it climbs to the top of a nettle stem, and go straight to the pale legs and the long primary projection. An evening on which you hear a Reed Warbler in the reed and a Marsh Warbler in the herbage beside it is the best lesson available.

Conservation status

Not threatened (LC) and stable to slightly increasing across most of its range; in the Netherlands it has gained from rank verges, banks and new wetland reserves. The pressures are close to home: flail-cutting and early mowing of verges and ditch banks in June, while the nests are still slung in the stems, and the tidying away of rank vegetation in farmland. As an extreme long-distance migrant it also depends on good stopover sites in the Sahel and East Africa.